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DGPh Award: Paolo Pellegrin Receives MM

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The Italian photographer Paolo Pellegrin has been awarded (in German) the Dr. Erich Salomon Prize from the German Photographic Association (DGPh). The award ceremony took place on October 12 in the Raum für Fotografie Zephyr, Mannheim. The prize is awarded in honor of Dr. Erich Salomon, the great photographer of the Weimar Republic. Since 1971, it is presented each year for "exemplary use of photography in journalism". Leica Camera is proud partner of the award. Alfred Schopf, CEO, awarded Paolo Pellegrin with an engraved Leica M Monochrom. Pellegrin is a member of Magnum and has received numerous awards, including ten World Press Photo Awards.

You may recall that Paolo Pellgrin stirred some controversy when he suddenly found himself under intense scrutiny in the photo blog world after a picture he took in Rochester, NY that won him 2nd at POYi, 2nd at WPP and 1st as Photographer Of The Year was deemed to not show what it purports to show by Michael Shaw and co-contributors at BagNewNotes.

Translation to English (via Google):

Paolo Pellegrin receives Dr. Erich Salomon Prize 2013 DGPh

The Italian photographer Paolo Pellegrin has been awarded the Dr. Erich Salomon Prize of the German Society for Photography (DGPh). The award ceremony will take place on 12 October 2013 in Mannheim, Zephyr - Space for Photography instead.

Here also Pelle Paolo Grinning latest works are exhibited, the "trip to Germany," a collaboration between the agencies Magnum and Focus in collaboration with the 5th Festival of Photography and the Time Magazine Mannheim_Ludwigshafen_Heidelberg incurred during the project.

Of each year since 1971 for "best use of photography in journalism", the award is reminiscent of Dr. Erich Salomon, the great photographers of the Weimar Republic, the image of modern journalism owes strong suggestions.

With the born in 1964 in Rome Paolo Pellegrin DGPh the honors one of the world's most prolific and most dedicated photojournalists who has devoted some 25 years of photographic documentation of the human condition.

Paolo Pellegrin lives alternately in Rome and New York. From there, he works around the world, restless and high personal commitment to his numerous projects. War and crisis, and the inextricably linked existential moments of life are frequent subjects of Pelle Grins gloomy black-and-white images representing visual highlights of the medium in a time of high-pitched tones. Him to be labeled only as a war photographer, however, would clearly fall short, because the funeral of Pope John Paul, fashion shows and Hollywood's elite, he begins with his distinctive look in. The recently emerged portraits of famous actors are now considered classics of the genre. Always the man at the center of Pelle Grins work, justly known of the great humanist photographer Gilles Peress (Salomon Prize 1995) and Josef Koudelka as his role models.

Paolo Pellegrin first began to study architecture, but switched after three years at the Istituto Italiano di Fotografia in Rome to study photography. During this time he met his mentor, the Italian photographer Enzo Ragazzini know. The late 80s, he began his career with projects in Italy, where he dealt with immigration and homelessness. In 1991, after a well-paid job for the Italian state television, he bought a used car and moved to Paris. There he met Christian Caujolle know. The Pellegrin invited to become a member of the agency he founded VU. What follows is one of the most impressive careers in international photojournalism at all. Roma in Italy and Bosnia, which opens the children in post-war Bosnia and Albania are also subject such as Cambodia, Doctors Without Borders or the AIDS disease in the coming years. For reports on AIDS, he travels among other Mexico, Zimbabwe, Kenya and Uganda. This wins Paolo Pellegrin in 1995 its first World Press Photo Award. The following are reports from all focal image of world events, especially from the former Yugoslavia. The latter he summarizes in the 2002 book "Kosovo" together.

The new millennium begins Pellegrin as a nominee at the famous Magnum agency. His interest now turns to the Middle East and Africa. He accompanied the U.S. invasion of Iraq and the humanitarian disaster in Darfur with the camera. 2005 Paolo Pellegrin full member of Magnum and thus arrived at the "Hall of Fame" of photojournalism. On our laurels, he does not resting. On the contrary, the coming years are still dominated by intensive work. In addition to the destruction caused by the tsunami and Hurricane Katrina, he photographed and visited the former Guantánamo detainees in U.S. detention center in Afghanistan, Albania, Kuwait and the United Kingdom. Together with Jim Goldberg, Alec Soth, Mikhael Subotzky and Susan Meiselas, Magnum, he realized the project "Postcards from America"​​and it travels from San Antonio, Texas to Oakland, California. From Egypt and Tunisia, he reports on the Arab Spring. Lately Pellegrin also increasingly devoted his book publications, appeared in 2012, the comprehensive retrospective Paolo Pellegrin.

Numerous awards, including ten World Press Photo Awards, the high recognition Paolo Pelle Grins impressively document. His images have been published and are in almost all leading publications in the world. Solely from the long-standing cooperation with "The New York Times Magazine" result more than ten cover stories in the prestigious magazine. German readers Paolo Pellegrin is particularly known for his work for the "Time Magazine".

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Personal Interview with Andreas Kaufmann

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Back in the September 2013 (print) issue of the German Spiegel magazine, there was a rather lengthy and personal interview with Andreas Kaufmann. Not so much about Leica products, but the man himself. It's a very interesting read about his early life, how he made his money, economics, politics - how he went on to Leica Camera AG - and its position in photography and as a status symbol. Now that a month has passed, Spiegel has placed the article, "The Asset Is the Company" online - and It is also available as a PDF (both in German).

Translation to English (via Google):

The Asset Is the Company

Social justice and redistribution are campaign issues. The parties outdo each other with demands. What is the legacy of the millions Andreas Kaufmann?

Kaufmann, 59, was born in Mannheim, studied political science, history and literature, and now lives in Salzburg. It is part of anthroposophic Celebrity clan. His father was a top executive at the Natural Cosmetics Weleda Group, his brother-Götz Rehn has built the eco-chain Alnatura. His Schwippschwager is the founder and owner of the drugstore chain dm, Götz Werner, with the merchant then sometimes have to debate the idea of a basic income at family gatherings.

SPIEGEL: Mr. Kaufmann, you were many years as a Waldorf teacher. Then, with your two brothers inherited the empire of a billion aunt and saved with the new wealth as an investor the photographer myth Leica before sinking. What is left of your early anti-capitalism?

Kaufmann: Well, in the course of life to change positions. I was 14 when I thought I have to start with smoking filterless cigarettes Reval, 16 years ago I stopped doing that again. As Waldorfler but I was never as explicitly against money, but rather sought a third way between capitalism and communism.

SPIEGEL: Such third way happy times go wrong. Her youth was already marked by wealth?

Kaufmann: No, we were very frugal upbringing. Mark Five pocket money, more were not.

SPIEGEL: Were you suspicious money?

Kaufmann: The not again. I have it already as a teenager, his most disturbed occasionally badly pretentious manifestations. You know, wealth is in Germany generally a difficult concept because it is often reduced to the super yacht in Monaco. Such status symbols we have always rejected. And they are in my opinion more of a testament to what one already in the 19th Century has been called "Nouveau Riche". Who comes to money quickly, often has no relation to it. In the 15th Century the Medici themselves were those nouveau riche. At that time it was - from today's perspective, fortunately - chic, to deal with the money artists. As a consequence, the Medici have financed a portion of the Renaissance. That's a very good thing.

SPIEGEL: Today it takes other luxury goods as status card ...

Kaufmann: ... and I will not even condemn excessive consumption. That is one way to deal with money. If an oligarch can build a huge ship, so he financed the shipyard workers, suppliers and many others. Consumption creates jobs. In my view, this is the dual nature of money, both as a means of consumption, and as the responsibility for use of the skills, so entrepreneurship. In the case of enterprise value is created, in the case of consumption creates jobs. Only these transactions may decline rapidly, as in a

Financial crisis. But who does not learn how to handle money in time, often times only orientation problems.

SPIEGEL: How were you trained to Riches?

Kaufmann: We gradually learned to deal with it, also mandates a number of boards of family businesses.

SPIEGEL: After the death of your aunt you and your brothers inherited the Austrian Empire Frantschach paper. Since none of you freaked out and slammed his share through the chimney?

Kaufmann: That would not have gone in the first place. And secondly, we found the property rather than always uncomfortable, then later as a task. Starting in 1997 I began to participate in companies. A Hamburg software company I still own, another went bankrupt. We have almost brought to the new market ...

SPIEGEL: ... which you could then millions can earn.

Kaufmann: See, that's just not exactly my idea of economy. Of course, economic success is measured at the end of the day, also the profits. But even then it was scary to me that analysts valued the company at 120 million dollars, even though they barely had sales. A bank told me in all seriousness, our cash burn rate was too low. So we would have to burn more money to be fit for the fair.

SPIEGEL: So markets are sometimes perverse.

Kaufmann: I do not have to play this perversion yes.

SPIEGEL: Nevertheless, you have Frantschach sold after the death of your aunt, that made ​​money.

Kaufmann: Our family has been at least one hundred years loyal to good company and industry. This is a very capital intensive industry, it is difficult for a family. But we were always convinced that there is only one way to create real values: industry. All other bears for me casino elements, even if you can make insanely short elsewhere.

SPIEGEL: Apparently the sales you and your brothers has brought some 1.5 billion euros.

Kaufmann: We do not comment on these numbers.

SPIEGEL: Is it fair that you have been given so much money?

Kaufmann: The concept of social justice is a euphemism, because it is often used for something completely different: taxes. Any party that promises more justice wants - what?

SPIEGEL: Surely not just raise taxes.

Kaufmann: Yes. At election time, as now, there is always the question: How can I take away other people's money, so I have a greater distribution of power?

SPIEGEL: ... is that bad? That you inherited your wealth, justice must not find you.

Kaufmann: But is it unfair? As long as we have a free society, there is property, everyone can be economically successful than another. It will create value, call the other wealth. I think it is unfair only if people have different starting conditions and opportunities.

SPIEGEL: Exactly. They were surely clear qua privileged backgrounds and heritage.

Kaufmann: I know people who started with a similar heritage and stood at the end with much less. Look at my brother to the founder of Alnatura, now the largest organic food chain in Europe. The began with a loan of his District Savings Bank, which he no longer would get given the most diverse regulations today. So he could not even start the company. Because what is going wrong. Unlike in the United States with us to access capital on ideas is far less organized. This competition of the most creative business models you can control but not through taxes. There used to be smart banker, now trust these bankers IT programs. Previously, the talk of opportunities, risks of today. Since there is a real injustice to me.

SPIEGEL: You were a founding member of the Greens, who now want to demand a higher tax the top earners.

Kaufmann: I resigned from the party in 1981 again.

SPIEGEL: Could the rich critical Greens choose today?

Kaufmann: Honestly, my greens are no longer so green.

SPIEGEL: You have moved to Austria in 2003. This is done not only for the love of country.

Kaufmann: No idea who once applied, that Austria should be a tax haven. In many ways, this is not true in any case, my salary is taxed higher here than in Germany. Also, the investment income of our private foundation are normally taxed at 25 percent. And I'm definitely of the opinion that one should decent pay his taxes.

SPIEGEL: That your aunt She adopted early, certainly had tax reasons.

Kaufmann: Especially succession reasons.

SPIEGEL: France, for example, a property tax, the local kingdoms has not been killed ...

Kaufmann: ... but results in that part of the French can no longer live in France or want. Your basic problem: The property tax must also be paid if your business is going badly - simply because that is highly rated. Where does the money go? From the company, which in turn must lay off people if they can not afford it.

SPIEGEL: labor income in this country is taxed at up to 47.5 percent, while investment income to make do with half. That's unfair, especially since the money - unlike the work - can always escape to where lower taxes waving.

Kaufmann: I would find 25 percent meet everything. Why is work so heavily taxed? I do not get it.

SPIEGEL: Another solution would be a higher inheritance tax, as she enjoys a long tradition of all in the United States.

Kaufmann: Can you make whether it is successful, I doubt it ...

SPIEGEL: ... says the millions of legacy ...

Kaufmann: ... here argues the whole of society. The heart of the German economy is that middle class, to the envy of many countries. The continuity of such family would be destroyed if high inheritance taxes of 35 percent or more would have to be paid because that would in many cases mean that those companies would no longer hold. The assets of the company. Look at all these rich lists! In the case of Germany, we talk as much as 90 percent on industrial assets. That would be taxed - and thus jobs.

SPIEGEL: What do you have now awakened even your ideals with the inherited money to entrepreneurial life?

Kaufmann: Our asset holding ACM had a clear perspective 2002: The most underrated companies were in Germany. Since we wanted to participate. So we came to Leica ...

SPIEGEL: ... then the edge of the abyss.

Kaufmann: How bad it really was appointed to the company, we have noticed in the course of time.

SPIEGEL: Leica invented the film camera hundred years ago and created a billion-dollar market. The company has autofocus invented - and long time used themselves. She was even quite early at all with digital technology. But even in 2004, the then head of that technology is "only an interlude."

Kaufmann: He said the way even in Der Spiegel. But the way the art was then still unclear. They were afraid that it might endure the camera industry as the watch industry: The years had set fully to digital, and suddenly it went back towards mechanics. But most of all Leica was undercapitalized simple.

SPIEGEL: The rescue of the company should then have become very expensive. How many times have the Leica CEO replaced, since you own the company?

Kaufmann: The question therefore is already unfair because once I have even adopted me as a chef. With me there are five since 2005. I think that's okay.

SPIEGEL: Are you tiring for Leica?

Kaufmann: You have to ask the staff.

SPIEGEL: Is Leica stressful for you?

Kaufmann: No, because this company is exciting and truly a global brand that has incredible potential.

SPIEGEL: Does it to you sorry if you see other German brands currently die like for example Loewe?

Kaufmann: Sure, but I need to focus myself.

SPIEGEL: The camera model Leica M Monochrome costs 6800 euros - no lens - and makes only black and white photos. Is not decadent?

Kaufmann: No, on the contrary. This is technology at its best - of course in a very small edition. Image sensors typically take three pixels to define a color value. In other words, the pure black and white images have a much higher information density.

SPIEGEL: At the edge of major sporting events are never to be found among all the Leica Nikon and Canon ...

Kaufmann: ... because many photographers today are of the view that a top recording will already be there when you shoot ten frames per second. It's about the feeling for a moment. Look at the photo of Henri Cartier-Bresson in which he made in 1932: a man jumping on the Gare Saint-Lazare over a puddle. Everyone knows what will happen in the moment after. But he has just caught the moment of this magical levitation with a Leica. Could not be better.

SPIEGEL: Are photographers today less educated?

Kaufmann: No, of course not. Some just believe that technology does the photographing of himself. But it does not take one from the composition.

SPIEGEL: Even though you are in a luxury niche with Leica go, enter in the years of mass targets, about 500 million euros in turnover and one per cent market share.

Kaufmann: The objectives are desired. But we also need a certain sales volume as a flywheel to say in developments and not let the prices get out of hand. What we do is not luxury, our prices caused by the nature of our development and production.

SPIEGEL: For the nouveau riche in India, China or Brazil, a Leica is hardly suffices as a status symbol.

Kaufmann: With a clock to adorn themselves easier. Which everyone can use. With a camera I must do something. Since I can embarrass myself.

SPIEGEL: What percentage of your work is for Leica on it?

Kaufmann: Estimated 80

SPIEGEL: It sounds like life's work.

Kaufmann: Leica is for me anyway a long term project. After all, the company writes back continuously since 2009 and black numbers are 1,500 people working.

SPIEGEL: Despite all your protestations sustainability have now sold 45 percent of the shares of all the "grasshopper" Blackstone.

Kaufmann: I do not have the "locusts" term because it describes excesses, but not the basis of the private equity business.

SPIEGEL: Such financial investors are now moving at times like an undervalued companies, impose them as a debt on the purchase price and filleting some point the business. Such cases there was in any case well enough.

Kaufmann: But they are nevertheless exceptions. Blackstones Germany, Axel Herberg is a man of German industry, which knows that councils can be true partners. And private equity today replaced in many places as a lender banks.

SPIEGEL: What are the benefits of the entrepreneur businessman today of the Waldorf teacher in you?

Kaufmann: I have learned as much Waldorf teachers, for example, corporate accounting, because such a school is always self-administered. Also, I always had the older classes as a teacher. These are students who will gradually grow. Of whom one is constantly put to the test. So you have to learn to deal with people so that they listen to you. This is exciting and educational.

SPIEGEL: How has the money, the ownership changed you?

Kaufmann: You learn not to believe everything people tell you.

SPIEGEL: That sounds like distrust.

Kaufmann: It has more to do with the question you have to face every day countless times: Who wants what and why of me? My mother came from the Calvinist Protestantism. The fond of saying: Do not get cocky! Not a bad spell.

SPIEGEL: Mr. Kaufman, Thank you for this interview.

"Why is so highly taxed labor? I do not get it."

The interview was conducted by the editor Thomas Tuma at the seat of businessman holding ACM in Salzburg.

Panasonic and Leica to Bolster Partnership?

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Could we see more Leica-branded Panasonic cameras in the future? Panasonic Corp. is considering bolstering its business partnership with Leica Camera AG and supplying the German camera maker with high-end digital cameras, as it looks to shore up its flagging digital camera business, sources close to the matter said Wednesday. As many of you may know, Panasonic makes several models for Leica, which they "re-brand." A good recent example of this is the Leica C (Type 112) which is a Panasonic LF1 underneath - given the Light-gold and Dark-red Leica treatment.

Gagosian Reopens - Limited Edition Leica

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The Gagosian Gallery in New York has announced that the Gagosian Boutique on Madison Avenue, is to reopen. To mark the occasion, products by German brand Leica Camera are to be on sale in the shop. Leica Camera, which is associated mainly with artistic photography, is working with the Gagosian Gallery on the creation of a limited edition camera, which is to be sold exclusively in the Gagosian Boutique as of December 2013. As one of the two exclusive Leica Boutique dealers in New York City, Gagosian Shop features an in-house display with a full product assortment. The dedicated Leica display features the new X Vario, X2, X2 à La Carte, V-LUX 4 and D-LUX 6 including complementary accessories. In addition, select sport optics are available for sale, including the Monovid close-focus monocular and Ultravid compact binoculars.

They have also issued a Press Release PDF (96 Kb):





Leica Store Inventory Network on Tablets?

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In a video found on Youtube called "EnergyNet for Leica" (also seen below) we see a concept video of a tablet-based P.O.S. (Point Of Sale) terminal, product information and inventory application that would be network with other Leica Stores to manage inventory and be able to coordinate the data. Imagine that Leica M that you've been waiting for - it could be looked up on a realtime map displayed on the screen in-store and perhaps at home, telling you which Leica Stores have one in stock. You could also call up product information in the store, to access technical specifications, manuals, etc. The application is being proposed by a company based in Frankfurt, Germany called Energy Net GmbH the intelligence company.


Leica X Vario City Challenge

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Experience the Leica X Vario in this creative challenge for 120 participants in 4 cities. The Leica X Vario City Challenge is a coast to coast Leica Camera photo competition with a twist! Leica fans in four cities— New York, Washington DC, Los Angeles and Miami—can compete for the chance to win a Leica X Vario among many other valuable prizes. 30 lucky participants in each city will be invited to shoot with a Leica X Vario during the City Challenge. Sign up quickly, be creative, select your favorite image, and submit it to the competition.

ROUND 1: CITY PHOTO EXCURSIONS

To sign up, email rsvp@leicacamerausa.com and specify the city you would like to compete in and represent. Spots are granted on a first come, first serve basis; limit of 30 photographers. During the photo excursion, you'll have the opportunity to experience the Leica X Vario and capture a photo to submit for the city judging. You'll have until 11:59 PM on the Sunday following the challenge to submit your entry.

ROUND 2: PUBLIC VOTING

After each city challenge, all submissions to the X Vario City Challenge will posted as an album to the local Leica Store's page on Facebook. The image with the most votes over the course of one week will win the city challenge and advance to the final round.

Voting will take place on the respective city’s Leica Store pages on Facebook:

PRIZES

  • City Finalists:
    • Advance to final round (one per city)
  • City Runner-Ups:
    • 1st runner up: 99 Year Book (one per city)
    • 2nd runner up: Leica Myself Book (one per city)

ROUND 3: FINAL JUDGING

Each city winner will be judged by a panel of 5 acclaimed judges who will choose the overall X Vario City Challenge winner.

PRIZES

  • Grand Prize:
    • Leica X Vario
    • Private reception at the city Leica Store
    • Digital Photo Exhibit at the city Leica Store
    • Special Series on The Leica Camera Blog using the X Vario in 2014
  • Second Prize:  Leica X2
  • Third Prize:     Leica D-Lux 6
  • Fourth Prize:  Leica C

TIMELINE

The timetable will be as follows:

City 1 – New York City

  • EVENT: PhotoPlus Expo Oct. 24 – 26
  • CHALLENGE DAY: Friday, Oct. 25, 12 PM EST – 4 PM EST
  • SUBMISSION PERIOD: Friday, Oct. 25 4:01 PM – Sunday, Oct. 27, 11:59 PM EST
  • VOTING PERIOD: Monday, October 28, 12 PM EST – Sunday, November 3 , 11:59 PM EST
  • CITY WINNERS ANNOUNCED: Wednesday, November 6

City 2 – Washington DC

  • EVENT: FotoWeek DC Nov. 1-10
  • CHALLENGE DAY: Friday, Nov. 8, 12 PM EST – 4 PM EST
  • SUBMISSION PERIOD: Friday, Nov. 8, 4:01 PM EST – Sunday, Nov. 10, 11:59 PM EST
  • VOTING PERIOD: Monday, November 11, 12 PM EST – Sunday, November 17, 11:59 PM EST
  • CITY WINNERS ANNOUNCED: Wednesday, November 20

City 3 - Los Angeles

  • CHALLENGE DAY: Friday, Nov. 15, 12 PM PT– 4 PM PT
  • SUBMISSION PERIOD: Friday, Nov. 15, 4:01 PM PT – Sunday, Nov. 17, 11:59 PM PT
  • VOTING PERIOD: Monday, November 18, 12 PM PT – Sunday, November 24, 11:59 PM PT
  • CITY WINNERS ANNOUNCED: Wednesday, November 27

City 4 – Miami

  • EVENT: Art Basel Dec 1-8
  • CHALLENGE DAY: Friday, Dec. 6, 12 PM EST – 4 PM EST
  • SUBMISSION PERIOD: Friday, Dec. 6, 4:01 PM EST – Sunday, Dec. 8, 11:59 PM PT
  • VOTING PERIOD: Monday, December 9, 12 PM EST – Sunday, December 15, 11:59 PM EST
  • CITY WINNERS ANNOUNCED: Tuesday, December 17

Finalists Judging and winner announcement

  • JUDGING PERIOD: Wednesday, December 18
  • GRAND PRIZE WINNER ANNOUNCED: Thursday, December 19

Click here for the official rules for the X Vario City Challenge

New Leica Camera at PhotoPlus Expo

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It appears that Leica will announce a new consumer camera at PhotoPlus Expo in New York next week, most likely on October 24. The only details we know is that Roland Wolff, Vice President of Marketing for Leica Camera USA, will make the announcement. Leica’s consumer models are usually re-branded Panasonic models, but the company isn’t saying if that will be the case. The announcement is part of a series of events Leica is planning during PhotoPlus Expo. Update:It's here!

Leica's Nightmare is Sony

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We've ignored the casual comparisons until now, but it seems that the German press (more than others) is really focusing on Sony's latest A7/A7R cameras as a direct competitor to Leica. We're of the mindset that yes, the specs are impressive, as are the cameras themselves. But for their own reasons and not as a direct threat to Leica M cameras. We won't get into all the reasons why we believe this as we think our audience understands why already. In any event, this is the latest and most intense comparison yet, published by Die Welt and called "Leica's Nightmare is Sony" (in German).

The usual "awesome" translation (via Google):

Leica's nightmare is Sony

Only the German brand has yet built high-performance sensors in very small cameras - and the price can be expensive. Now Sony wants to conquer this niche.

Normally you know this expectant whispers on the Internet only from Apple. Whenever the iPhone Group presents a new phone buzzes the power of information that are supposed to penetrate the public against the will of the company. The hype is enormous. Apple rival Sony has now hinbekommen similar - but not with mobile phones, but with a digital camera. It has the potential to shake up the global photographic market fundamentally.

Organized the whole thing was obviously military precision. For weeks the website "reported sonyalpharumors.com "always rumors about the appearance of a camera as it has not yet seen the market. Paintings and drawings have been published - initially unclear - from a phone as he is longed for by many photographers all over the world. The photo page diglloyd.com even broke the embargo and published in advance the most information. The excitement in the relevant internet forums because of the two variants was clearly noticeable.

When the devices are two cameras with a sensor such that it corresponds to the extent of the small format of the film era, but with a resolution that look old, almost all SLR cameras. So far, the no competitor had succeeded. A camera, but also is so small and light that it is only half as big and heavy as the SLR racing cars - but still full of modern technology is. A camera that is equally affordable for enthusiasts and professionals. A camera so that would be a nightmare for the rest of the less innovative sector. And also for the German manufacturer Leica tradition, it could be a real problem.

On Wednesday this week against eight clock it was done: Sony, the Japanese technology giant, which in recent years had often very little fortune with its products, the Sony and the Sony A7 A7R presented. "Sony A7 A7R full-frame cameras revealed. Look at you you!" It said on Twitter in English.

What there is to see there, like little sound spectacular for mobile photographers. Sony's competitors but it might shivers down your spine. "Breakthrough in image quality in a compact package," beamed the otherwise always critical Lloyd Chambers, a well known American camera and lens tester.

The technology giant Sony pushes with a unique product called a competitive market. Because it was worldwide for the photo industry ever easier. From the cheap end of the market, the increasingly sophisticated cameras make the traditional printing cameras to mobile phones. Many users do without the heavy equipment, instead take their mobile phones and accept a lower image quality

In the middle segment, the industry as many new devices each year brings to the market that the improvements are only marginal part, however, the prices often do not. Itself was made very clear in the current year just in the numbers SLRs. Sales declined in the double-digit percentage range. And even in the professional sector, the competition is enormous. Accordingly, it went bad in recent years also been some manufacturers.

Traditional names are gone. Minolta about. The company has sold its camera business to Sony. Pentax Ricoh has become one. Olympus, despite some outstanding products, in crisis, is also a serious way. Sony now owns ten percent of the shares. And Hasselblad, the top brand for professionals looking for their financial survival is that it gives a slightly different luxury design cameras of Japanese competitors and moon asking prices - almost as if mahogany spoiler and seats made ​​from crocodile leather from a Golf GTI a Ferrari making.

Leica, Germany's last photo-brand and sometimes due to the expensive prices more of a luxury product as a camera for photographers, has already lived through terrible times more frequently. The entry into the digital age was not easy. And also with the lightning quick innovation cycles in the industry, the company holds more tedious step. Its great advantage was so far that she married German precision and excellent lenses with reasonably good, but especially small cameras - the world famous M-series. With the latest of these cameras, the manufacturer had last successfully placed in a niche. With around 300 million euros in sales, the company is still only a dwarf in the industry.

Against the great as Canon and Nikon with their billion-dollar Leica has always looked tiny. A problem was not. Because the two Japanese camera manufacturers have so far been successful in other markets. Not least, large and medium sized SLR cameras are their core business. Small, so-called system cameras with a Leica comparable quality by the Japanese, but there was not - at least until now.

With Sony's entry into this market, the competitive situation will change radically. Leica now gets from one side headwind, of which it has long no one really expected. The new Sony fits in the Leica niche. It is smaller than the Leica. It is robust. And with Sony's lead in the sensor technology, the image quality will be better with even better technical equipment. Unlike the Germans, Sony also brings with it another autofocus. The camera focuses automatically so sharp. With an aging customer base that is an advantage, because these people simply can not see so well.

Leica has since only a real plus point - the famous tradition. Some buy a Leica, because they provide these to specify in the showcase. Some buy a Leica, because with them have as Henrie Cartier-Bresson made their pictures the old masters of photography. And many professionals will buy these devices because they are so inconspicuous that you just can do with photos unnoticed.

That luxury had been a high price. More than 6000 euro cost the latest Leica - no lens. The cheaper of the two Sony's costs 1500 euros, the top model of 2100 euros. Still expensive, but compared to Leica a bargain. Who is the image of being a Leica owner, waive, will consider whether he really is the German company more money.

Canon and Nikon Sony again shows that nowadays no longer have to lug around huge cameras with them to get professional-quality images. So far, Sony has not arrived well in the professional world, with its products. "Even if Sony would put more energy into the development of digital SLR cameras, lenses, so that they would gain no new customers," says the American industry expert Thom Hogan. No matter what the engineers had been developed by Sony in this area, with the duopoly Canon / Nikon in the professional field they could not compete. If Sony maintains its two new products differently than in the past with good lenses and the continuous upgrading of software, they could roll up the market for the first time. It is a rare opportunity.

Without the benefit is not for Leica. The optically very good and well priced traditional German manufacturer of lenses can be fitted with an adapter to the Sony. Demand for supplies from Solms so there is at least in this area. Especially since Sony has not made too good name in his lenses. But even without the new Sony Leica team comes to the production of expensive optics hardly keep still. Often customers have ordered were on long lenses. Therefore, the Leica team will not welcome the competition in the sector camera happily.

At Zeiss, once a major competitor to Leica, the opposite is true. Also, this German company builds excellent lenses - unlike Leica but in collaboration with Sony and with autofocus. The optics are made in part by Cosina in Japan and in part by Zeiss in Oberkochen. Unlike Leica Zeiss should be really excited about the latest developments at Sony.


Montreux Jazz Festival M9-P SE

Leica Camera at Aston Martin Event

Leica Lens Shootout on Sony A7/A7R

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We don't really want to get caught up in the Sony A7/A7R frenzy, but be that as it may - a lot of Leica shooters might be looking at them keenly. Some are even suggesting they are Leica's nightmare (to which we don't subscribe). Ron Scheffler has given us a Sony a7 torture test with Leica, Zeiss, Voigtlander rangefinder lenses - long and short of it - you can forget the A7.

...I’m hoping these lenses will fare better on the a7R. Results on the a7 are for the most part disappointing. All I can surmise at the moment is that the toppings on the a7′s sensor work against achieving optimal (or in some cases, good enough) results with the rangefinder lenses I had available for this test.

A big part of it can be explained with the following diagram; the A7 is on the left, the A7R on the right. You'll notice that Sony employed a trick that Leica has long been familiar with - offset microlenses. Leica employed these as far back as the original M8 (circa 2006). Other advantages of the A7R include the gapless design of the microlenses, the lack of an AA filter and the greater resolution (36MP vs. 24MP).


Mike Evans takes a deep look at these cameras as well in his article, Leica lenses on Sony's A7s: The big controversy.

New Leica D-Lux 6 Black/Silver Edition

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As we wrote about earlier, rumors pointed to a new Leica camera at PhotoPlus Expo. Today was the opening day of the PhotoPlus Expo which is taking place at the Javits Center in NYC. Today Leica has announced a "reimagined"D-Lux 6 camera available in high-gloss black and silver finish.

The classic compact Leica Camera reimagined with a high-gloss and silver finish.

Solms, Germany (October 24, 2013) – Leica Camera AG, presents a new design twist on the Leica D-Lux 6 digital compact camera. With an existing version in elegant, matte-black, the camera is now available in a high-gloss, two-color finish. The new high-gloss black camera body paired with the silver-colored lens creates a tasteful contrast that results in a sophisticated, stylish appearance.

The silver lens of the Leica D-Lux 6 is a Leica DC-Vario-Summilux lens. The varied range of focal lengths makes the camera particularly versatile, ideal for everything from wide-angle architectural and landscape photography to photojournalism and portraits. Combined with a powerful 1/1.7” CMOS image sensor, this camera guarantees a high dynamic range and brilliant images that capture life’s greatest moments.

The Leica D-Lux 6 offers a comprehensive range of features, including automatic mode, manual setting options and optional accessories, like an electronic viewfinder with 1.4 million pixels, which provide even greater creative freedom in all areas of photography. Full HD video recording capability is also included in this newest version of the D-Lux 6. The camera records a perfect rendition of fast-moving subjects in outstanding detail. Video data can be saved in Internet-compatible MP4 format and can be uploaded directly to social media or mobile devices without any need for conversion. Crystal-clear sound recording is guaranteed by special wind-noise filter that reduces undesirable noise.

Both versions of the Leica D-Lux 6 are available from Leica dealers. A new addition to the range of accessories for the Leica D-Lux 6 is the Leica Soft Pouch in lambskin nappa leather: black, stylish and with a fascinating wrap-around design, this leather case is a perfect complement to any outfit.

Additional Images







Specifications

Lens:

Leica DC Vario-Summilux 4.7 – 17.7 mm f/1.4 – 2.3 ASPH. (equivalent to 24 – 90 mm in 35 mm format), 11 elements in 10 groups (5 aspherical lenses, 9 aspherical surfaces)

Zoom

3.8x/4x

Optical/digital:

Focusing

Modes:

Normal/Macro

Metering modes:

Face recognition, AF tracking, 23-field, 1-field (flexible/scalable)

Focusing ranges

P/A/S/M:

50 cm–∞

Macro/intelligent/auto/video:

1cm (wide-angle) / 30 cm (telephoto) – ∞

Sensor:

1/1.7″ CMOS with 12.7 MP (effective 10.1 MP)

Resolution

Still pictures:

4:3 format: 3648 x 2736 pixels (10 MP), 3072 x 2304 pixels (7 MP), 2560 x 1920 pixels (5 MP), 2048 x 1536 pixels (3.1 MP), 1600 x 1200 pixels (1.9 MP), 640 x 480 pixels (0.3 MP)

3:2 format: 3776 x 2520 pixels (9.5 MP), 3168 x 2112 pixels (6.7 MP), 2656 x 1768 pixels (4.7 MP), 2112 x 1408 pixels (3 MP), 2048 x 1360 pixels (2.8 MP), 640 x 424 pixels (0.3 MP)

16:9 format: 3968 x 2232 pixels (8.9 MP), 3228 x 1872 pixels (6 MP), 2784 x 1588 pixels (4.4 MP), 2208 x 1248 pixels (2.8 MP),1920 x 1080 pixels (2.1 MP), 640 x 360 pixels (0.2 MP)

1:1 format: 2736 x 2736 pixels (7.5 MP), 2304 x 2304 pixels (5.3 MP), 1920 x 1920 pixels (3.7 MP), 1536 x 1536 pixels (2.4 MP), 480 x 480 pixels (0.2 MP)

Videos:

AVCHD, 16:9 format: 60p: 1920 x 1080 pixels, 60 fps, 60i: 1920 x 1080 pixels, 60 fps, 60p: 1280 x 720 pixels, 60 fps

MP4, 16:9 format: 1920 x 1080 pixels, 1280 x 720 pixels, 4:3-Format: 640 x 480 pixels.

3D photo function:

16:9 format: 1920 x 1080 pixels (MPO format).

Recording file format/

compression rate

Still pictures:

JPEG (Fine/Standard) (DCF/Exif 2.3), RAW + Fine, RAW + Standard

Videos:

AVCHD/MP4

Video recording time:

Max. 29 minutes per clip (E-version only)

Exposure control

Exposure modes:

Automatic program (P), Aperture priority (A), Shutter priority (S), Manual setting (M), Intelligent-Auto

Exposure compensation:

Increments: 1/3 EV steps, range: ±3 EV

Scene modes:

Portrait, Soft skin, Scenery, Panorama shot, Sports, Night portrait, Night scenery, Food, HDR, Baby 1, Baby 2, Pet, Sunset, High sens., 3D Photo, Through glass, Handheld night shot

Metering modes:

Intelligent multiple, Centre-weighted, Spot

White balance:

Auto, Daylight, Cloudy, Shade, Incandescent, Flash, Color temperature, Manual setting

Sensitivity:

Auto/i. ISO/80, 100, 200, 400, 800, 1600, 3200, 6400, 12800* (*with pixel binning)

Shutter speeds:

250 s – 1/4000 s, f/1.4 – 8.0 (wide-angle), f/2.3 – 8.0 (telephoto), ND filter (3 steps)

Continuous shooting/burst frequency:

max. number of pictures/max. resolution

2 fps: 100/10 MP, 5 fps: 100/10 MP, 11 fps:12/10 MP, 40 fps: 40/5 MP, 60 fps: 60/2.5 MP

Flash

Flash modes:

AUTO, AUTO with pre-flash (to reduce red-eye effect), AUTO with slower shutter speeds and pre-flash, On, Off

Range:

80 cm – 8.5 m (W/ISO Auto), 0.3 – 5.2 m (Tele/ISO Auto)

Self-timer:

2/10 s delay

Monitor:

3.0″-TFT-LCD, approx. 920,000 pixels, AR coating

Microphone/Speaker:

Stereo/mono

Recording media

Internal memory:

Approx. 70 MB

Memory cards:

SD: 8 MB–2 GB,

SDHC: 4 GB–32 GB,

SDXC: 48 GB–64 GB

Interfaces:

Digital: USB, Mini-HDMI cable (Type C), AV-out: (PAL), charger socket

Printer compatibility:

PictBridge

Operating temperature/ humidity:

0–40°C /10–80%

Rechargeable lithium-ion battery

Voltage/capacity:

3.6 V/1250 mAh (330 pictures according to CIPA standards)

Dimensions (L × H × D):

110.5 × 67.1 × 46.6 mm (approx. 4.4 x 2.6 x 1.8 in.)

Weight:

296 g with memory card and battery (approx.

Scope of delivery:

Camera with lens cap, battery charger (Leica BC-DC 10), battery (Leica BP-DC 10), hot shoe cover, AV cable, USB cable, shoulder strap, CD with full instructions

Software:

Adobe® Photoshop® Lightroom®


Meet the $1.6M Leica Luxus II

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This gold plated Leica Luxus II camera is the only surviving model found and is the first time the camera and its distinctive crocodile skin case has ever been seen. It is valued at between £500,000 and £800,000 ($807,850-$1,292,560 USD) but experts believe because of the trend for the Leica brand, it is likely to reach more than £1m ($1,615,700 USD) at auction and could become the most expensive camera ever sold. The Telegraph goes on to say that the camera was given to its late owner, an amateur photographer, after the end of WWII. He used it throughout the 1940s and 1950s and is unlikely to have been aware of how valuable it was to become. Marc Allum, antiques expert and a presenter on Antiques Roadshow, discovered the camera on the program 12 years ago and said it has the potential to be the “most valuable find ever.” If you're interested, make sure you put your bid in on Bonham's Lot 1681 now!

Bonham's lot details:

An extraordinarily rare Leica Luxus II, 1932, Serial No. 88840. with 50mm f/3.5 Elmar lens, No.137447, with unusual bell-push release, camera with lavatory seat type range finder housing (with recess under the shutter dial), lens scaled in feet the base plate engraved with "Open" and "Close", body with faux lizard leather cover, together with Leica Luxus crocodile camera case, brass fastening clip

Footnotes
According to Leitz factory records, only four Luxus Leica IIs were made with serial numbers: 88840, 94573, 97313 and 98248. The whereabouts of the other three examples is currently unknown.

In addition, two special presentation Leica II's were also made. Number 75,000 was presented to Professor August Piccard, one of the pioneers of the exploration of the stratosphere and later designer of the "Bathyscape." Number 100,000 was presented to Dr Leon Frobenius, a leading explorer of Central America.

Although the crocodile ever-ready case appears in various advertisements for Leica Luxus, this is the first example ever to come to light.

Literature:
VAN HASBROECK, Paul-Henry, Leica in Colour, Philip Wilson Publications, 1997, pp.34-35.
LAGER, James L., Leica - An Illustrated History, Vol. I, Lager Limited Editions, 1993, p.27.

Provenance:
The British owner of this camera was a keen amateur photographer who acquired this Leica soon after World War II and used it for many years.

Problems Continue to Plague M (Type 240)

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The Leica M (Type 240) has been around for just over a year and only now is it becoming "generally" (though not readily) available via dealers after considerable delays. Many of the accessories for the M are still not available, despite being given a timeline of when they'd be shipping. For example, only recently has the Multifunctional Handgrip M begun shipping as well as spare BP-SCL2 batteries. The long-awaited R-Adapter M is still MIA, as is the regular Handgrip M and Finger Loops (SM and L).

The first firmware update v1.1.0.2) in March of 2013 served only to add some lens vignetting correction, while the recent, yet long-overdue firmware update (v2.0.0.11) corrected several more issues, including further improved vignetting correction and white balance accuracy as well as over half a dozen software bugs.

Using wide angles on the Leica M is still inconsistent (producing "red edge") and color/white balance issues continue. On the hardware side, things got off to a rough start with strap lugs coming loose on early models - which still seems to happen on occasion. Other issues have continued, including long-standing random camera lockups, as well as in extreme (hot/cold) ambient temperatures (when using the EVF), overexposure of images (especially after updating to the latest firmware), potential banding at high ISOs, questionable Auto-ISO behavior and intermittent battery drainage issues, among others.

Granted, the Leica M (Type 240) is a completely new (hardware) design - and subject to some teething problems. However, it's over a year after the announcement and even less since it became "available." Obtaining one is still difficult while the accessories remain essentially non-existent. Leica has chalked this up to "overwhelming demand" and of course, limited production capacity in their old digs. We'd hope that going forward, quality control improves as well as production capacity once the new Leitz Park comes online. Make no mistake; we love our Leica gear and want nothing but Leica Camera to succeed - but this is a frustrating state of affairs.

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Leica Akademie - Destinations in Focus

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Leica is pleased to announce a first of its kind collaboration with Exclusive Resorts the world’s foremost private destination club for luxury vacations. Combining the inspirational and educational experience of a Leica Akademie workshop with the five-star luxury and personalized service of a members-only stay in an Exclusive Resorts villa. This collaboration presents an extraordinary opportunity to advance your photography, while relaxing on an once-in-a-lifetime vacation with family and friends.

Exclusive Resorts®, the nation’s premier destination club, today announced its newest strategic partnership with Leica Camera, the industry’s most iconic and revolutionary camera brand, marrying the worlds of luxury travel and photographic education through experiential escapes in Costa Rica, Mexico and Arizona.

As the first collaboration of its kind for Exclusive Resorts, a private Club boasting more than 350 multi-million dollar villas across seven continents, members alongside Leica enthusiasts will enjoy privileged access to Leica Akademie’s team of instructors and over $100,000 worth of Leica equipment including the newly launched Leica X Vario on a series of carefully curated 4-night getaways in the Club’s most sought-after and private locales.

Celebrated for their handcrafted cameras, the German-based brand is credited with paving the way for a new, undreamed-of freedom in reportage and artistic photography since Oskar Barnack's small, lightweight 35 mm format Leica camera was brought to market in 1925. Today, Leica boasts more than 11 models including a new line of digital cameras. The most coveted models remain the M-System series which was introduced in 1932 and is still the camera of choice for many of today’s most acclaimed photojournalists.

“Leica has had a profound influence on our view of the world we live in,” says Kristen Nolte, SVP of Marketing, who plans to incorporate Leica’s photographs of Exclusive Resorts in a commemorative coffee table book and traveling gallery exhibit. “There is simply no better partner to capture the sheer enjoyment and beauty of an Exclusive Resorts vacation. We are thrilled to share with our members Leica’s unique visual perspective on the world while at the same time capturing what makes our Club experience truly unique for generations of members to enjoy for years to come.”

Developed for experienced and novice photographers alike, each Destinations In Focus weekend is paired with stays in Exclusive Resorts’ multi-million dollar villas, complete with dedicated on-site concierge and a host of luxe resort amenities ranging from a private chef to daily spa programming. In addition to the benefits of small class sizes and real world shooting situations, each participant will have access to experienced Leica instructors, as well as, a selection of guest photographers who will provide coaching and inspiration through the sharing of their images, techniques, and insights.

"One of the Leica Akademie's goal has always been to bring inspirational learning vacations to a [high-end or premium] market." says Tom A. Smith, Manager and Lead Instructor for the Leica Akademie in North America. "This partnership provides a unique opportunity for Leica customers to redefine how they learn photography and vacation, while introducing Exclusive Resort members to the Leica experience and approach to travel photography."

As a preferred partner, Exclusive Resorts members will also enjoy privileged access to a variety of Leica benefits including private one-on-one photography tutorials with Leica experts at any of the brand’s new retail locations nationwide including New York, Los Angeles, Miami, and Washington D.C.

The Leica Destinations In Focus photography series joins Exclusive Resorts’ dynamic roster of Exclusive Events providing members privileged access to some of the most elite happenings in the world traversing the realms of gastronomy, sports and recreation, fashion and design and family-friendly adventure. Tailored to meet the Club’s discerning taste, each event provides unparalleled access ranging from front row seats during Milan Fashion Week and The Masters to a private chalet at Formula 1 complete with private pit tours and one-on-ones with the world’s most acclaimed drivers. The Club most recently announced a partnership with leading American retail brand Barneys New York in August 2013.

Beginning on July 23, 2014 in Peninsula Papagayo, Costa Rica, the series will travel to Exclusive Resorts’ villas in the premier destinations of Real del Mar, Mexico and Tucson, Arizona at the award-winning Miraval Resort & Spa. Workshop pricing starts at $2999 for a single student in a shared villa.

For more information on Leica Akademie’s Destinations In Focus weekends by Exclusive Resorts or to make a Leica Akademie reservation, please visit http://www.leicaakademie.com.

For more information on Exclusive Resorts or the Club's 2014 Exclusive Events program, to request a brochure or to inquire about membership plans and pricing, please contact (866) 863-2688 or visit http://www.exclusiveresorts.com.

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Leica Expands Pro Support with S Rentals

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Leica is expanding its professional support and provides a complete portfolio of the digital medium format Leica S-System at three locations in Germany, ready for rental. Leica partners in the Hamburg region are Knackscharf GmbH & Co KG and the Delight Rental Services GmbH in Berlin, Stuttgart and Marbella. Both rental firms have years of experience and offer the rentals on all current products from the Leica S-System.

In addition to the Leica S camera, a total of nine Leica S lenses from 24-180mm in focal length, including six S CS lenses from 30-180mm in focal length are available. Also available are five S-adapters for use with lenses from other manufacturers; The Leica S-C adapter for Contax 645 AF Lenses: 35-350mm and the Leica S-Adapter H for Hasselblad H lenses ranging from 28-300mm which support all the features like auto-focus, central shutter and automatic modes. Hasselblad H lenses can now also be used with the focal plane shutter up to 1/4000s through the dual closure system of the Leica S.

The rental program is complemented by the Leica S-Adapter for the Hasselblad V System lenses, the Pentax 67 system and the Mamiya 645 system. More information and contact details can be found on the website of Knacksharf-Rent and Delight-Rent.

Leica Phoenix Rising from the Ashes...

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The Tiroler Tageszeitung has a brief story, "With Courage, Like a Phoenix Rising from the Ashes" (in German). A talk with Dr. Andreas Kaufmann and how he came in to save a then-failing Leica Camera AG back in 2004, how it has recovered and grown, as well as where it's heading.

Translated to English (via Google) with lots of correction:

Innsbruck - What drives a former teacher at a Waldorf school to buy the ailing manufacturer Leica Camera AG? "Courage" says Andreas Kaufmann. It was an adventure that he had admitted since nearly ten years ago, the investor said on Wednesday at the Tyrolean Economic Forum. At that time, it was in the summer of 2004, the German has gone with his family's holding company ACM at the legendary camera company. Leica at the time was a failed IPO on grounds that threatened bankruptcy . They had missed the shift to digital cameras and even piled on some other problems. Meanwhile, Kaufmann has put the Group on a new footing - and circulated large expansion plans. Sales in the previous year, with nearly 300 million Euros - were twice as much as two years earlier. 500 million Euros in the medium term are being targeted.

Convinced and fascinated, Kaufmann has with Leica a cult brand, just as happy to let superstars like Brad Pitt, Charlotte Rampling and Brigitte Bardot be photographed like the Queen. "But an iconic brand is not enough," said Kaufmann. A successful rehabilitation - besides courage and sound judgment, also needs vision, strategy , tactics, and above all: capital. Kaufmann later got himself into venture capital. Though not at banks, because they could no longer provide funding of this kind because of the increasingly stringent rules, he noted.

With potent donors behind him, he has revamped the Group, invested heavily in products that carry on the Leica mystique. "We focus on the essentials," was the motto from now on. Leica began to open around the globe, upscale boutiques and shops. "Run after the end user" was the merchant's motto. Today there are 125 stores - and the expansion will continue. Like a "phoenix rising from the ashes" is how Kaufmann sees Leica itself. Tthe company has written Photographic History - and he wants to continue this history. He who had once taught for 15 years at a Waldorf school could derive a lot from this activity. "You need people like you," he says. Only those who can motivate, will also have long term success.

The original story in German:

Innsbruck– Was treibt einen ehemaligen Lehrer einer Waldorfschule dazu, den maroden Fotohersteller Leica zu kaufen? „Mut“, sagt Andreas Kaufmann. Es sei ein Abenteuer gewesen, auf das er sich da vor knapp zehn Jahren eingelassen habe, erzählte der Investor am Mittwoch beim Tiroler Wirtschaftsforum. Damals, es war im Sommer 2004, ist der Deutsche mit seiner Familienholding ACM bei der legendären Kamera-Firma eingestiegen. Leica lag zu dem Zeitpunkt nach einem missglückten Börsengang am Boden, die Pleite drohte. Man hatte den Wandel zur Digitalkamera verschlafen und noch so einige andere Probleme aufgetürmt. Mittlerweile hat Kaufmann den Konzern auf neue Beine gestellt – und wälzt große Expansionspläne. Der Umsatz lag im Vorjahr bei knapp 300 Mio. Euro – doppelt so viel wie noch zwei Jahre zuvor. Mittelfristig werden 500 Mio. Euro angepeilt.

Überzeugt und fasziniert hat Kaufmann an Leica die Kult-Marke, mit der sich Superstars wie Brad Pitt, Charlotte Rampling oder Brigitte Bardot ebenso gerne ablichten lassen wie die Queen. „Aber eine ikonische Marke allein genügt nicht“, betonte Kaufmann. Eine gelungene Sanierung brauche neben Mut auch Augenmaß, Vision, Strategie, Taktik und vor allem eines: Kapital. Letzteres besorgte sich Kaufmann bei Risikokapitalgebern. Nicht bei Banken, denn diese könnten wegen der zunehmend strengeren Regeln heute keine Finanzierung dieser Art mehr tätigen, bemerkte er.

Mit potenten Geldgebern im Rücken hat Kaufmann den Konzern umgekrempelt, kräftig in die Produkte investiert, die den Mythos Leica tragen. „Wir konzentrieren uns auf das Wesentliche“, lautete fortan die Devise. Leica begann, rund um den Globus edle Boutiquen und Geschäfte zu eröffnen. „Ran an den Endkunden“, heißt Kaufmanns Motto. Heute gibt es 125 Shops – und die Expansion soll weitergehen. Als „Phönix aus der Asche“ sieht Kaufmann Leica selbst. Das Unternehmen habe Fotografie-Geschichte geschrieben – und diese Geschichte will Kaufmann fortschreiben. Er, der einst 15 Jahre lang an einer Waldorfschule unterrichtet hatte, kann aus dieser Tätigkeit einiges ableiten. „Man muss die Menschen mögen“, ist er überzeugt. Nur wer motivieren könne, werde auch langfristig Erfolg haben.

Leica Partners with Red Bull Illume (Again)

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For the third time, since 2010 - Leica Camera is pleased to announce their official partnership with Red Bull Illume - the world’s largest international photography competition dedicated to action and adventure sports. The first exhibition tour stop in the U.S. will begin in Scottsdale, Arizona on November 14, 2013. A showcase of the most exciting and creative action sports photography on the planet will be displayed as art to the wider public. The top 50 images selected from over 28,257 submissions by photographers from around the globe will be displayed as a part of a unique illuminated nighttime exhibition and will be free to the public. After the first U.S. stop in Scottsdale, the tour will continue to travel around the world’s capitals and cultural hubs over the next two years.

Where and When

Scottsdale, Arizona November 14 - 24, 2013
Vancouver, Canada February 1 – 10, 2014
Atlanta, Georgia (Tentative) March 15 - 29, 2014

Event Details

An opening gala will be held the first night in Scottsdale for invited guests celebrating the tour’s first installation in North America on November 14, 2013. Light boxes will be covered until the sun sets, and upon darkness, the covers will be removed to reveal stunning illuminated works of art. Later that night a celebration will continue at the W Scottsdale, a local event partner, for the Red Bull Illume Official Kickoff Party. The party will be open to the public starting at 9 p.m. and will feature a musical line-up including special guest DJs. Attendees must be 21+.

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Most Magnificent Shooting Gear in World

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Over on The Brander there's an article called, "Leica – The Most Magnificent Shooting Equipment in the World" which talks about the revival of Leica since its near-demise back in 2004 before Dr. Andreas Kaufmann stepped in. A much more in-depth piece than our earlier story, "Leica Phoenix Rising from the Ashes."

Almost ten years ago, Kaufmann, having come into a significant inheritance, jumped in to save the legendary camera manufacturer from bankruptcy after the company failed to make the transition to the digital era. Today, Leica is on expansion course again.

Leica Updates S2/S2-P Firmware

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Today Leica has released a new firmware update for the Leica S2/S2-P (vLLF016). Users who wish to update their camera can download the new firmware from the Owner's Area.

Firmware version LLF016 improves the performance of the Leica Vario-Elmar-S 30-90mm f/3.5-5.6 ASPH lens.

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